For every clunky or conventional scene, there's a looser, better one. I could've done without the underwater ballet that signifies their union, but it's a small matter. The surface text arranges a coming-of-age affair between Bliss and a musician (Landon Pigg, an amiable non-actor).
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At one point they're the subject of lesbian speculation by the resident high school mean girl though without making any big deal of it, the entire movie floats on a crypto-Sapphic vibe, where the men, for once, aren't running the show. Alia Shawkat, very good, plays Bliss' best friend.
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The script labors to keep her double life a secret on the home front. They're like smash-and-grab versions of the fairies in "A Midsummer Night's Dream," and Bliss loses herself in their world in a matter of seconds.īliss sneaks off to team tryouts, and though she's small, she's also promisingly fast and willing to lie about her underage status. On a shopping trip to Austin with her younger sister, Bliss meets a fiercely alluring gang of roller derby queens, teammates on the Hurl Scouts. Very consciously, as guided by Shauna Cross' script, taken from her 2007 novel "Derby Girl," Page makes aīreak from the hyper-quippy rhythm demanded by " Juno."īliss is a reluctant pageant participant following her mom's design for living at story's outset. Harden and Daniel Stern as Bliss' parents, who play it so Texan it's as if nobody else needed to be. Only a handful of the performers attempt a dialect the exceptions include Marcia Gay The movie is set in Bodeen, a fictional flyspeck burg, and Austin, Texas, though it was shot mostly The alternative, as Page's Bliss Cavendar says to her mother at a notably ham-fisted moment, buys into a "psychotic idea of '50s womanhood."
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In placing its young heroine, played by Ellen Page ("Juno"), in a death match between the world of teenīeauty pageants and roller derby competition, the film favors teenagers being true to their ferocious butt-kicking selves. Kristen Wiig in more than a novelty role, for starters.) Power, and its cast operates on a very high hangout factor, meaning just that: They're good company. It's not designed primarily for the heterosexual male gaze (though it's certainly fun for both genders and all persuasions).ĭrew Barrymore's feature directorial debut runs on an easygoing mixture of cliches and grrrl-power or, rather, younnnng-womannn Wasn't about athletic prowess or female empowerment it was just an excuse for shoving Welch into one ogled, manhandled situation after another. Raquel Welch got whipped a time or two in the 1972 vehicle "Kansas City Bomber," but in that film roller derby The whip is a slingshot-type maneuver in roller derby, where you're flung by a teammate straight into traffic and, with luck, past it.